• Recent Events

    Recent Events

    Process Space Open Studios 
    Lower Manhattan Cultural Council Arts Center at Governor's Island, NYC
    Building 110
    September 24th and 25th, 2017 `1pm - 6pm

    Long Beach Island Foundation for the Arts and Sciences, Lovelies, NJ
    A group exhibition running through August 14th, 2017

  • Susan Ziegler "State of Play" at LIU Brooklyn

    Susan Ziegler "State of Play"  at LIU Brooklyn

    I'm pleased to be exhibiting a series of monotypes at the Resnick Gallery at Long Island University Brooklyn, One University Plaza, Brooklyn, NY 11201.

    The show runs April 3rd - April 28th 2017.

  • Review: "Linked in Landscape"

    Review:  "Linked in Landscape"

    Linked in Landscape
    By Victoria Donohoe, For The Inquirer
    POSTED: June 08, 2012

    Ever see a group show by one of those "intertwined networks" of painters who studied in graduate school under certain influential teachers before going their separate ways? Put together thoughtfully, such a show can deliver lots of insights.

    Gross McCleaf Gallery is offering "The Landscape Abstracted," featuring eight area painters, five of whom have fairly recent master of fine arts degrees from Penn, and two who studied at the Pennsylvania Academy of the Fine Arts. Looking around the show, it's easy to spot some truly remarkable talent among people whose work is dissimilar, yet somehow visually interconnected.

    Unhesitatingly, I'd say the show's most impressive works are by Susan Ziegler and Eric Huckabee, who seem at opposite poles from each other stylistically at first glance, she Penn-trained, he at PAFA. Ziegler's single, very large, awesome landscape painting Promise of Escape has key elements both pictorially and emotionally. There's unity of color and atmosphere and something enigmatic about it. At the same time, it engages our eyes, giving us entrance into this panoramic scene that stretches into the far distance, so we're slow to take our gaze away from it. And even then, the image stays in our mind long after. Something highly unusual has been achieved, a fine balance between the specific and the abstract.

    Alexis Serio's landscapes seem close to Ziegler's in containing large areas of saturated color and bands of evocative color that flow and mutate, drawing our eye toward the deep distance. Naomi Chung, by contrast, portrays hefty fractured flower forms across a surface.
    Eric Huckabee, an academy master of fine arts and nonetheless this show's dedicated abstractionist, enjoys an enthusiastic early following. He wants abstract painting to be understood as a kind of constructed fiction directly experienced from a real response to relationships. Huckabee achieves particular distinction in several paintings that balance description and abstraction through the unifying means of color in ways that make a serious bid for originality. Other exhibitors are Martha Armstrong, Marlene Rye, Jenny Hager, and Pete Zebley.

    Gross McCleaf Gallery, 127 S. 16th St.
    To June 29. Tue-Fri 10-5. 215-665-8138.


  • Review "Her Abstracts are Full of Life"

    Review "Her Abstracts are Full of Life"

    Her Abstracts are Full of Life
    By Edward J. Sozanski INQUIRER ART CRITIC
    POSTED: July 29, 2005

    For artists such as Susan Ziegler, nature remains the ultimate role model.
    However, Ziegler doesn't merely describe or imitate nature; she achieves
    something far more difficult.

    Using a personal abstract language inspired by observation and sensation,
    she creates analogs, fantastical paintings that communicate knowledge of
    natural forms and phenomena and pulse with life without attempting to
    mimic reality.

    Ziegler's paintings on display at the Gross McCleaf Gallery explode with
    vitality generated by light, color and movement. The painted energy looks
    and feels perfectly natural even though the artist's imagination supplies the
    generating mechanism.

    Ziegler does use shapes that suggest familiar organisms, particularly
    whole flowers and petals. Besides these, she deploys swarms of winged
    objects that might be butterflies, a yellow-and-purple "spiderweb," and
    leafy aggregations that look like mosaics.

    Several paintings feature bright yellow effusions; they could be taken for
    suns, but one is more inclined to consider them balls of pure energy.
    Besides the swirling, fluttering movement in most paintings - oils and
    acrylics, along with some gouaches - Ziegler sets up forceful visual
    tensions by, for instance, combining sharp detail with fuzzy color fields.
    Hues are punched up to maximum vividness, and even negative spaces
    become emotionally charged.

    Without using a single literal quote, Ziegler extols the complex glories of
    nature so effectively that one's spirits lift - at least until one goes back
    outdoors into the smothering tropical heat.

    Gross McCleaf, 127 S. 16th St.
    10 a.m. to 5 p.m. Mondays through Fridays. Through Aug. 19. 215-665-
    8138 or www.grossmccleaf.com.

    Philadelphia Inquirer http://articles.philly.com/2005-07-29/entertainment/25432762_1_paintings-ziegler-sets-nature